tuck and fold 1
       
     
tuck and fold 2
       
     
tuck and fold 3
       
     
 Working primarily with porcelain, ReCheng Tsang creates site-specific installations and smaller sculptures. In her latest series,  there here and back again,  and  tuck and fold , Tsang continues her exploration of the material potential of the clay
       
     
 ReCheng Tsang has exhibited (solo exhibition) at the Sonoma Museum of Contemporary Art in Santa Rosa and was in numerous group exhibitions in the San Francisco Bay Area and the Pacific Northwest. Cheng was represented by the visionary Dorothy Weiss
       
     
tuck and fold 1
       
     
tuck and fold 1

ReCheng Tsang, Tuck and Fold 1, 2020, Unfired clay, pigment, mica, acrylic wash and unfired porcelain on canvas with water color paper.

Tsang writes:

“In the tuck and fold series as exhibited here, I treat clay as if it were a piece of paper, by tearing, cutting, folding, and bending it. As always when working with this material, the physicality involved in the creation of the work - the intimate interaction of my hands and body with the clay - becomes a dialogue and at times an argument with the clay itself. The pieces in the series are devoid of color so the focus is on the folds and tears, the edges, and the subtle shifts in the surface texture of the unglazed white porcelain.”

tuck and fold 2
       
     
tuck and fold 2

ReCheng Tsang, Tuck and Fold 2, 2020, Unfired clay, pigment, mica, acrylic wash and unfired porcelain on canvas with water color paper.

Please contact gallery about available work by ReCheng Tsang.

tuck and fold 3
       
     
tuck and fold 3

ReCheng Tsang, tuck and fold 3, Digital print from original drawings on porcelain panel and graphite.

 Working primarily with porcelain, ReCheng Tsang creates site-specific installations and smaller sculptures. In her latest series,  there here and back again,  and  tuck and fold , Tsang continues her exploration of the material potential of the clay
       
     

Working primarily with porcelain, ReCheng Tsang creates site-specific installations and smaller sculptures. In her latest series, there here and back again, and tuck and fold, Tsang continues her exploration of the material potential of the clay medium.

Recent activities include an art residency at Local Language Arts in May, followed by an exhibition of the work created during the month-long residency in June 2018. Other exhibitions include group exhibitions at Sobu Oakland and the Jennifer Perlmutter Gallery in 2017. In October 2016, a solo exhibition, “Haze” at Gallery Lulo.

Tsang’s work was included in the New West Coast Design 2 exhibition at the San Francisco Museum of Craft and Design, a 2-person exhibition at Kaller Fine Arts Galley, and was featured in the May/June 2016 issue of Luxe Design Magazine. Additional press include The Jealous Curator, 7 x 7 Magazine’s Best of Bay Area Design, and California Home and Design’s Made In California feature. Cheng’s work is included in numerous private collections in California and nationally.

Cheng works with private clients, designers, galleries, and other interested individuals on site specific projects and commissions.

Gallery representations include: re.riddle in San Francisco, Gallery Lulo in Healdsburg, Kaller Fine Arts in Washington D.C., and Uprise Art in New York City.

Image credit: CA Home and Design

 ReCheng Tsang has exhibited (solo exhibition) at the Sonoma Museum of Contemporary Art in Santa Rosa and was in numerous group exhibitions in the San Francisco Bay Area and the Pacific Northwest. Cheng was represented by the visionary Dorothy Weiss
       
     

ReCheng Tsang has exhibited (solo exhibition) at the Sonoma Museum of Contemporary Art in Santa Rosa and was in numerous group exhibitions in the San Francisco Bay Area and the Pacific Northwest. Cheng was represented by the visionary Dorothy Weiss Gallery in San Francisco until its closure and was a recipient of a residency fellowship at the MacDowell Colony and the European Ceramics Work Center in the Netherlands. Cheng received my B.A. from the University of California at Berkeley and M.A. and post-baccalaureate in Visual Art from the University of Washington at Seattle. She spent two years as an apprentice at two ceramic studios in Tokyo and Kanazawa, Japan respectively and those two years formed the technical foundation of my art practice. Previously, Cheng was the co-director of the Oakland Art Gallery and was a lecturer at the California College of the Arts.